Previously a silent character, the voice of Brad Horrobin (Taylor Uttley) was revealed on BBC Radio 4’s The Archers earlier this summer. He lives in the Radio 4 village of Ambridge, at no. 6 The Green with his mum Tracey and her partner Jazzer, older sister Chelsea, and Granddad Bert. We know Brad is good at maths as the summer’s storyline involved him taking on hay making to save enough money to pay for a maths summer school. His efforts went unrealised when his labour was replaced with a robot baler. This act of labour dispensing automation threatened to thwart Brad’s chance of a place. Thankfully, as is the case in radio soaps, Oliver stepped in to fund a place in the autumn thus redeeming himself from his pariah status amongst villagers following his role in making the staff of Grey Gables Hotel redundant. Tracey Horrobin was one such member of staff. To familiarise oneself further with the background to this storyline necessitates tuning in to The Archers, though it might take several decades to catch-up.
Ironically, whilst the robot baler ended one summer job it was when the till broke at Lower Loxley that Brad was able to replace this tool of automation and demonstrate his skills in quickly adding up the price of items in the Orangey café. The ability of human labour to transcend the failures of technological innovation were momentarily celebrated as Brad’s calculation skills enabled Lower Loxley to continue trading. Brad is considered, at least by his sister Chelsea, to be a maths ‘genius’. Yet, in an educational economy of high-stakes exam driven educational opportunity and progression Brad’s knowledge, ability and skills need to be formalised. Last week, The Archers marked GCSE results with the Horrobin clan gathering at Borchester Green to hear Brad reveal his grades:
- Six 9s
- Three 8s
- One 7
For those unfamiliar, the GCSE grading runs from 9 (the highest) to 1, the lowest with a ‘4’ a pass, and 5 a ‘good pass’. These are very good grades. Brad was not entirely satisfied. For geography he achieved a 7, a grade that he considered OK, and he thought one of the 8s should have been a 9. This tells us is that Brad is not only a high achiever but that he also sets himself high expectations and is disappointed when he doesn’t achieve them.
Whilst Tracey reassured Brad that she would still be proud of him if he had failed the lot she was also realistic in her conclusion about what this meant for Brad.
You have so many options now
His grades have opened up the opportunity of ‘A-Levels’, Brad’s intended post-16 educational pathway. Tracey supports her son’s ambitions and she clearly views education as the “key institutional pathway to upward social mobility”.[1]
Chelsea also recognises the opportunities her brother now has.
He’s clever, he’s gonna go places
Chelsea’s predictions about her brother’s future reflects a belief in educational aspiration supporting spatial mobility. This is the idea that an attachment to place limits aspirations with this used in policy discourses that position working class communities as anti-aspirational. Anti-aspiration is not an accusation that can be reasonably levelled against the Horrobins. Tracey has consistently expressed the desire that she wants better for Brad and Chelsea and that education is a means of achieving this. In terms of ‘going places’, Brad now has secured his passport to ‘A-Level’ study. This might involve taking up opportunities that involve moving away from Ambridge. Presumably this would render him a silent character once more, which would be shame. However, as Evan’s research in South Wales reveals this relationship between place attachment and aspirations are not mutually exclusive and young people do have high aspirations whilst also expressing an attachment to place [2]. Similarly, it would be naive to suggest that spatial mobility is straightforward as career opportunities are spatially structured meaning it is always possible to relocate to a different part of the country to realise such aspirations.[3]
Brad’s educational success at GCSE warrants some further unpicking. For example, how it contrasts with the post-16 educational pathway of his first cousin once removed. George Grundy. who suggests Brad should get ‘trade’ instead. There is also the issue of Brad’s socio-economic status. Brad can certainly be described as coming from a working-class background and the recent employment experiences of his mother, Tracey, and the impact that this has for the opportunities for Brad and Chelsea (for example in not being able to afford the maths course) have been explored in storylines over recent months. However, it is unclear what benefits, if any, Tracey’s employment situation entitled her to and consequently whether Brad was eligible for free school meals. The storyline could have covered this and the associated odds of achieving ‘good’ results along with the role of Borchester Green in supporting Brad to secure these results. But, of course The Archers is not a drama about the intricacies of achieving GCSEs.
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